Martin Klemm

Sr. Radio Engineer

As Sr. Radio Engineer for WMUK, Martin Klemm could be taking care of a producer's computer in the morning, recording a band for Jazz Currents or Let's Hear It that afternoon, and producing Grassroots the next day. Being concerned with details and the staff's comfort, Martin will never run out of things to do.  Before coming to WMUK in 2003, Martin worked in Los Angeles making records with some outstanding producers, but preferred to be close to his family here in west Michigan. He enjoys keeping a busy schedule balancing WMUK, operating a recording studio downtown Kalamazoo, and remodeling his home in the Edison neighborhood.

Email: martin.klemm (at) wmich.edu     Phone: (269) 387  3169

Craig Freeman

Kids and their vivid imaginations are no mystery to Paul Bauer, who grew up with young nieces and nephews, watched his mother run a home daycare, and became a pre-school teacher himself before turning to music full-time. An instructor at Kalamazoo Kids in Tune and at the Crescendo Academy, he's also the drummer for the  local band The Mainstays. Bauer started another project, Small Sounds, a few years ago with his wife, Katrina Davidson. In the studio with Craig Freeman, Bauer and Davidson talk about how they write songs and engage children with their live shows. 

Drawing from a variety of music genres - pop, rock, electronic, and more - Small Sounds released its first album, Good Morning, Sun!, in 2016. In the studio, they play a stripped-down version of "Hey, Alligator!" from that release, and two newer songs, "My Pet Possum," and "Life on the Seven Seas."


Carol Corey

Sometimes, having a leading role in an orchestra can serve as the first step to musical exploration. The Kalamazoo Junior Symphony Orchestra, which recently completed its 80th season, is a starting ground for several chamber ensembles, one of which recently visited WMUK for music and conversation with Cara Lieurance. The KJSO Woodwind Quintet is: flutist Emma Temple, a sophomore at Gull Lake High School; clarinetist Kaoru Murai, a senior from Portage Central High School; oboist Mei Lanting, a senior at Kalamazoo Central; bassoonist Jackson Crause, a senior at Portage Central;  and horn player Andrew Burhans, a sophomore at Portage Central. 

In the Takeda Performance Studio at WMUK, the musicians talk about everything from how they chose their instruments, to whom they study with, to what it was like to visit South Africa with the Junior Symphony in June of 2018. Crause shares his appreciation for Andrew Koehler, the conductor of the KJSO, and Temple says being in the quintet has given her confidence in more situations. Musical expression has advantages over verbal, says Murai, and Lanting looks back on her seven seasons with the KJSO. Burhans embraces the horn's dual nature as a woodwind and a brass instrument.

Together, the quintet plays J.S. Bach's "Little" Fugue in G minor, BWV 578, the second movement, "Columbines (Snowmass Lake)" from the Roaring Fork Quintet by Eric Ewazen; and the "Shanty No. 3" from Three Shanties by Malcolm Arnold.


Katherine Lane

Jazz pianist and composer Nicholas Olynciw (OH-lin-shoo) recently completed his master's degree in jazz performance at Western Michigan University, where he studied with Matthew FriesJazz Currents host Keith Hall visits with Olynciw in the Takeda studio at WMUK, where they talked about his Long Island, Texas, and Michigan connections, and Olynciw plays several new solo works:  "New Blues," "Associated," "Thermos," "Re-Pete," and "Dream Dancing."


Susan Wagener, Lens To Pixels Photography / http://www.lenstopixels.com/

Have you ever had a friend who can remember, and appreciate, the old days with a vividness that brings it all back to life? In this episode of Jazz Currents, host Keith Hall visits with with jazz pianist John Shea, of the John Shea Trio. He's a beloved West Michigan musician who never forgot a kind favor, a funny story, or a long-gone music venue. Hall and Shea both grew up in Battle Creek, MI.

Shea is a walking lexicon of jazz knowledge. His mentors included jazz drummer Bennie Carew, a bandleader who shaped the Michigan scene from the 1940s to 80s, and a music teacher, Margaret Skidmore, who vouched for the young Shea, then in ninth grade, to play piano in the pit for a production of Fiddler on the Roof. His variety of experiences, and his habit of always learning another tune has given Shea a staggering mental playlist upon which to draw.

In the studio at WMUK, John Shea plays Irving Berlin's "Always," Gershwin's "Someone To Watch Over Me," one of his own pieces, "Shawn's Blues," and others.


C. Lieurance

The band Daymark - fiddler Dan Foster, flutist/uillean piper Will Woodson, and singer/guitarist Eric McDonald - are an Irish trio with no Irish-born members. But they've spent years immersed in the Irish traditional music community, and are welcomed far and wide as expert practitioners.

In the studio with Cara Lieurance, Will Woodson says he began playing tin whistle when he was around 9 or 10 years old, and developed his "northern" style of playing while living in Glasgow, Scotland. Fiddler Dan Foster was classically trained from a young age in York, England, and was fortunate to find a group of top-notch Irish musicians in Manchester, who passed on their love for the music. Eric McDonald met Woodson when they both lived in Portland, ME, a hub of Irish sessions. They began playing with Foster around 2016, and Daymark was formed.

"Celtic" music is a useful marketing term but a fairly meaningless music term, according to Woodson. The members of Daymark enjoy exploring the sub-categories of Irish traditional music, like the Scottish-influenced playing of Cape Breton, or the Irish-American recordings by Michael Coleman and others in the 1920s and 30s. Their selections, played live in the Takeda studio at WMUK, include a set of highlands and reels, the song "The King's Shilling," a set of slip jigs and jigs featuring "Doodley Doodley Dank," and a reel set starting with "The Black Haired Lass." Daymark plans to release a full-length debut album in 2018.


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