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  • Just weeks after New York Times correspondent Anthony Shadid died in Syria, his latest book has been released. House of Stone tells of the year he spent restoring a family home in Lebanon.
  • Just how do trees die? It seems like a simple question, but the answer still eludes scientists. And understanding forest ecology is increasingly important as the effects of climate change begin to take root.
  • Climate change is exaggerating the normal swings in weather. For the American Southwest, that means more intense waves of heat, drought and fire that could wipe out trees that have stood for centuries. It's already revamping the ecology of the landscape.
  • Virginia held primaries Tuesday, and Republicans had 3 hard-line choices for their nominee to oppose Democrat Sen. Tim Kaine. Steve Inskeep talks to ex-GOP Rep. Tom Davis about the party's direction.
  • NPR's Ailsa Chang talks with Mia Galuppo of The Hollywood Reporter about how Taylor Swift's concert film, The Eras Tour, has reignited interest in concert films from studios and musicians alike.
  • House Republicans are still struggling to coalesce around one candidate for Speaker while multiple crises add urgency to the search.
  • Author Jesse Walker argues that believing in shadowy cabals and ominous secrets isn't just for people on the margins — it's as American as apple pie. He says that our nation's paranoia stretches back to the colonial era, and that some conspiracy theories are believed by a majority of Americans.
  • Iain Banks' last novel, The Quarry, follows awkward teen Kit, his dying father Guy, and a group of Guy's former friends as they search for a possibly incriminating videotape. Reviewer Ellah Allfrey says The Quarry isn't Banks' best work, but "it doesn't disappoint."
  • Susan Choi's new novel, My Education, is a study of relationships and how they end. Reviewer Meg Wolitzer says the book is a triumph for academic novels, portraying youth, love and naivete with exceptional style.
  • For the book A History of the World in 100 Objects, the director of the British Museum chose 100 objects from his institution's collection of thousands to tell a surprisingly comprehensive history of the world.
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